(PDF READ) [European Architecture 1750 1890 Oxford History of Art] » Barry Bergdoll


Edieval times and styles as descriptive of national history and then the notion that the two could be blended in all kinds of ways successfully For a time there was a prevailing idea that there could be a taxonomy of architectural styles to produce a veritable palette of historical building idioms usable towards new ends Egyptian for prisons Gothic for churches or Italian Renaissance for banks and exchanges These choices were meant to activate prevailing cultural associations the pharaohs with death and eternity the Middle Ages with Christianity or the Medici with the rise of banking and modern commerce "By The Early 19th "the early 19th techonology kicked in with the application of iron in construction and ornamentation culminating with the opening of London s CRYSTAL PALACE IN 1851. ADENING Palace in 1851. Adening for architecture in this period Of Transformation Unlike Traditional Surveys With Long transformation Unlike traditional surveys with long of buildings and architects the themes are elucidated by in depth coverage of key buildings which in turn are situated in both their local and European contex. ,


and eve on the East Coast of the United States came from the discovery of the ruins of Pompeii Herculeneum in the mid 1750 s an interest in Egyptian art culture and design the discussion of whether architecture should be based on classic lines universal to all cultures or promote national and cultural differences Where Gothic came from the urge to celebrate E been tested so thoroughly and with such diversity of invention Bergdoll traces this experimentation in a broad range of contexts focusing in particular on the relation of architectural design to new theories of history new categories of scientific inuiry and the bro. ,
Great art geek lit This is a book for those who love history and architecture and even for those who don t but love the world of ideas It has wonderful
Photographs And Illustrations And 
and illustrations and the reader a sense of the great excitement of the period Confluence of Enlightenment thinking interest in science and laws of nature the belief that society and people s lives could be improved by the application of new technologies and scientific methods and new ideas about human perception and understanding Lots of experimentation a fertile time when philosophy art architecture came together with the emergence of the early industrial revolution Suddenly there was a need for all kinds of "New Buildings Factories Churches Retail "buildings factories churches retail and large market places all manner of civic. This comprehensive examination of eighteenth and nineteenth century architecture explores its extreme diversity within the context of tremendous social economic and political upheaval Never before had the functional reuirements and expressive capacities of architectur.

characters European Architecture 1750 1890 Oxford History of Art

European Architecture 1750 1890 Oxford History of Art